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Wednesday, 26 December 2012

Perch Fishing-Edmund Blunden (1896-1974)



Perch Fishing

On the far hill the cloud of thunder grew
And sunlight blurred below; but sultry blue
Burned yet on the valley water where it hoards
Behind the miller's elmen floodgate boards,
And there the wasps, that lodge them ill-concealed
In the vole's empty house, still drove afield
To plunder touchwood from old crippled trees
And build their young ones their hutched nurseries;
Still creaked the grasshoppers' rasping unison
Nor had the whisper through the tansies run
Nor weather-wisest bird gone home.
How then
Should wry eels in the pebbled shallows ken
Lightning coming? troubled up they stole
To the deep-shadowed sullen water-hole,
Among whose warty snags the quaint perch lair.
As cunning stole the boy to angle there,
Muffling least tread, with no noise balancing through
The hangdog alder-boughs his bright bamboo.
Down plumbed the shuttled ledger, and the quill
On the quicksilver water lay dead still.


A sharp snatch, swirling to-fro of the line,

He's lost, he's won, with splash and scuffling shine
Past the low-lapping brandy-flowers drawn in,
The ogling hunchback perch with needled fin.
And there beside him one as large as he,
Following his hooked mate, careless who shall see
Or what befall him, close and closer yet —
The startled boy might take him in his net
That folds the other.

Slow, while on the clay,

The other flounces, slow he sinks away.

What agony usurps that watery brain
For comradeship of twenty summers slain,
For such delights below the flashing weir
And up the sluice-cut, playing buccaneer
Among the minnows; lolling in hot sun
When bathing vagabonds had drest and done;
Rootling in salty flannel-weed for meal
And river shrimps, when hushed the trundling wheel;
Snapping the dapping moth, and with new wonder
Prowling through old drowned barges falling asunder.
And O a thousand things the whole year through
They did together, never more to do
--Edmund Blunden. 

The Survival Edmund Blunden (1896-1974)


The Survival
To-day’s house makes to-morrow’s road;
I knew these heaps of stone
When they were walls of grace and might,
The country’s honour, art’s delight
That over fountain’d silence show’d
Fame’s final bastion.
Inheritance has found fresh work,
Disunion union breeds;
Beauty the strong, its difference lost,
Has matter fit for flood and frost.
Here’s the true blood that will not shirk
Life’s new-commanding needs.
With curious costly zeal, O man,
Raise orrery and ode;
How shines your tower, the only one
Of that especial site and stone!
And even the dream’s confusion can
Sustain to-morrow’s road.
--Edmund Blunden

The Child's Grave-Edmund Blunden (1896-1974)


The Child's Grave
I came to the churchyard where pretty Joy lies
On a morning in April, a rare sunny day;
Such bloom rose around, and so many birds' cries
That I sang for delight as I followed the way.

I sang for delight in the ripening of spring,
For dandelions even were suns come to earth;
Not a moment went by but a new lark took wing
To wait on the season with melody's mirth.

Love-making birds were my mates all the road,
And who would wish surer delight for the eye
Than to see pairing goldfinches gleaming abroad
Or yellowhammers sunning on paling and sty?

And stocks in the almswomen's garden were blown,
With rich Easter roses each side of the door;
The lazy white owls in the glade cool and lone
Paid calls on their cousins in the elm's chambered core.

This peace, then, and happiness thronged me around.
Nor could I go burdened with grief, but made merry
Till I came to the gate of that overgrown ground
Where scarce once a year sees the priest come to bury.

Over the mounds stood the nettles in pride,
And, where no fine flowers, there kind weeds dared to wave;
It seemed but as yesterday she lay by my side,
And now my dog ate of the grass on her grave.

He licked my hand wondering to see me muse so,
And wished I would lead on the journey or home,
As though not a moment of spring were to go
In brooding; but I stood, if her spirit might come

And tell me her life, since we left her that day
In the white lilied coffin, and rained down our tears;
But the grave held no answer, though long I should stay;
How strange that this clay should mingle with hers!

So I called my good dog, and went on my way;
Joy's spirit shone then in each flower I went by,
And clear as the noon, in coppice and ley,
Her sweet dawning smile and her violet eye! 
--Edmund Blunden

Autumn-Stephen Vincent Benêt, (1898-1943)

Autumn
Autumn is filling his harvest-bins
With red and yellow grain,
Fire begins and frost begins.
And the floors are cold again.

Summer went when the crop was sold,
"Summer is piled away,
Dry as the faded marigold
In the dry, long-gathered hay.

It is time to walk to the cider-mill
Through air like apple wine
And watch the moon rise over the hill,
Stinging and hard and fine.

It is time to cover your seed-pods deep
And let them wait and be warm,
It is time to sleep the heavy sleep
That does not wake for the storm.

Winter walks from the green streaked West
With a bag of Northern Spies
The skins are red as a robins breast,
The honey chill as the skies.
--Stephen Vincent Benêt,

Sunday, 16 December 2012

About Robert W Service (1874-1958). Public Domain, No U.S. Copyright Control; Or Right to Object To Use.


Do you want some of us?

You want a piece of me? (Public domain)

"Popeye, Grey Owl, and Robert Service join the public domain."

While U.S., copyright law does in  some instances appear to protect creations longer-if they were done as works for hire and are dated-the works of Robert Service were not done for hire and although copy right can be bought and sold it is still the original copyright .

 As confirmed below,Bryant H. McGill has absolutely no rights to the works of Robert Service or many of the other works on which he is apparently still claiming such.

 

He is still being illegitimately and illegally linked to my blog site.



Published 2003/7/21 by webmaster-From Robert Service Home Page
"I administer the subsidiary rights to this poetry throughout the British Commonwealth based upon a British statute of 1911 which reverts copyright to estates 25 years after death. U.S. rights have a renewal provision for copyrights upon their 28th year but many are the Robert Service poems that are of an age from before 1923 wherein public domain sets in which means no U.S. copyright control or right to object to use. All other poems are subject to negotiation. All poems regardless of age are protected in British Commonwealth for 70 years from death ( Canada is still pending an extension from 50 years).
It is rare that a non English speaking request comes in. We inspect closely for keeping the integrity of the poems and also for avoiding any impersonations of the great poet by well meaning individuals who want to dress up as if they were Robert W. Service reciting his own poems. It is considered bad taste and we prefer other presentations. There are numerous requests for motion picture rights and this involves questions of nature of use, duration and form of use and whether non exclusive rights suffice.
My e mail address is bill@krasgrosslaw.com and my fax is 212 983 3228. Please be prepared if asking rights for inclusion in a book to identify publisher, number of intended print run, price and nature of use as well as total number of pages in total book so that we know what percent comes from the intended Service works.
51 East 42nd Street, 16th Floor
New York, NY 10017"--
http://www.robertwservice.com/modules/smartsection/item.php?itemid=837
Published 2003/7/21 by webmaster