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Sunday, 12 May 2013

Found, Written on the Wall, in Mother Teresa’s Home for Children, in Calcutta:



People are often unreasonable,
Irrational and self-centred
Forgive them anyway.

If you are kind, people may accuse
you of selfish, ulterior motives.
Be kind anyway.

If you are successful, you will
win some unfaithful friends
and some genuine enemies.
Succeed anyway.

If you are honest and sincere
people may deceive you.
Be honest and sincere anyway.

What you spend years creating,
others would destroy overnight.
Create anyway.

If you find serenity and happiness,
some may be jealous.
Be happy anyway.


The good you do today
will often be forgotten.
Do good anyway.

Give the best you have
And, it will never be enough.
Give your best anyway.


In the final analysis,
It is between you and God.
It was never between you and them;
Anyway.

Sunday, 14 April 2013

Spring Breaks in Foam-Sir Charles G. D. Roberts (1860-1943)

Spring breaks in foam
Along the blackthorn bough.
Whitethroat and goldenwing
Are mating now.
With green buds in the copse
And gold bloom in the sun
Earth is one ecstasy
Of life begun.
And in my heart
Spring breaks in glad surprise
As the long frosts of the long years melt
At your dear eyes.

Burnt Lands-Sir Charles G. D. Roberts (1860-1943)

On other fields and other scenes the morn
Laughs from her blue,--but not such fields are these,
Where comes no cheer of summer leaves and bees,
And no shade mitigates the day's white scorn.
These serious acres vast groves adorn;
Bur giant trunks, bleak shapes that once were trees,
Tower naked, unassuaged of rain or breeze,
Their stern grey isolation grimly borne.

The months roll over them, and mark no change
But when spring stirs, or autumn stills, the year,
Perchance some phantom leafage rustles faint
Through their parched dreams,--some old-time notes
ring strange,
When in his slender treble, far and clear,
Reiterates the rain-bird his complaint.

The Squatter-Sir Charles G. D. Roberts (1860-1943)


Round the lone clearing
Clearly the whitethroats call
Across the marge of dusk and dewfall's coolness.


Far up in the empty
Amber and apple-green sky
A night-hawk swoops, and twangs her silver chord.

No winds astir,
But the poplar boughs breathe softly
And the smoke of a dying brush-fire stings the air.

The spired, dark spruces
Crowd up to the snake fence, breathless,
Expectant till the rising of the moon.

In the wet alders,
Where the cold brook flows murmuring,
The red cow drinks--the cow-bell sounds tonk tonk.
*********           ********          ********   ******
From his cabin door
The squatter lounges forth,
Sniffs the damp air, and scans the sky for rain.

He has made his meal,--
Fat bacon, and buckwheat cakes,
And ruddy-brown molasses from Barbados.

His chores all done,
He seats himself on the door-sill,
And slowly fills his pipe, and smokes, and dreams.

He sees his axe
Leaning against the birch logs.
The fresh white chips are scattered over the yard.

He hears his old horse
nosing the hay, in the log barn
Roofed with poles and sheathed with sheets of birch-
     bark.

Beyond the barn
He sees his buckwheat patch.
Its pink-white bloom pale-gleaming through
     twilight.

Its honeyed fragrance
Breathes to his nostrils, mingled
With the tang of the brush-fire smoke, thinly ascending.

Deepens the dusk.
The whitethroats are hushed; and the night-hawk
Drops down from the sky and hunts the low-flying
     night-moths.
*****  *****  *****  *****  *****  *****  *****
The squatter is dreaming.
Vaguely he plans how, come winter,
He'll chop out another field, just over the brook.

He'll build a new barn
Next year, a barn with a haymow,
No more to leave his good hay outside in a stack.
He rises and stretches
Goes in and closes the door,
And lights his lamp on the table beside the window.
The light shines forth.
It lights up the wide-strewn chips.
For a moment it catches the dog darting after a rabbit.
I lights up the lean face
Of the squatter as he sits reading,
Knitting his brow as he spells out a month-old paper.
*****  *****  *****  *****  *****  *****  *****
Slowly the moon,
Humped, crooked, red, remote
Rises, tangled and scrawled behind the spruce tops.

Higher she rises,--
Grows rounder, and smaller and white,
And sails up the empty sky high over the spruce-tops.

She washes in silver
illusively clear, the log barn,
The lop-sided stack by the barn, and the slumbering 
     cabin.
She floods in the window,--
And the squatter stirs in his bunk,
On his mattress stuffed with green fir-tips, balsamy
     scented.
*****  *****  *****  *****  *****  *****  *****
From the dark of the forest
The horned owl hoots, and is still.
Startled, the silence descends, and broods once more
     on the clearing.

The Clearing-Sir Charles G. D. Roberts (1860-1943)

Stumps and harsh rocks, and prostrate trunks all
charred
And gnarled roots naked to the sun and rain,--
They seem in their grim stillness to complain,
And by their plaint the evenings peace is jarred.
These ragged acres fire and the axe have scarred,
And many summers not assuaged their pain.
In vain the pink and saffron light, in vain
The pale dew on the hillocks stripped and marred!

But here and there the waste is touched with cheer
Where spreads the fire-weed like a crimson flood
And venturous plumes of goldenrod appear;
And round the blackened fence the great boughs lean
With comfort; and across the solitude
The hermits holy transport peals serene

Friday, 12 April 2013

Thou Art Not Fair-Thomas Campion (1575?-1620?)

Thou art not fair for all thy red and white,
For all those rosy ornaments in thee,--
Thou art not sweet, though made of mere delight,
Nor fair, nor sweet, unless thou pity me.
I will not soothe thy fancies; thou shalt prove
that beauty is no beauty without love.

Yet love not me, nor seek thou to allure
My thoughts with beauty, were it more divine;
Thy smiles and kisses I cannot endure,
I'll not be wrapp'd up in those arms of thine:
Now show it, if thou be a woman right--
Embrace and kiss and love me in despite.

Poem and Song, There is a Garden-Thomas Camppion (1575?-1620?)

There is a garden in her face,
Where roses and white lilies grow;
A heavenly paradise is that place,
Wherein all pleasant fruits do flow.
There cherries grow, which none may buy
Till Cherry-ripe themselves do cry.

Those cherries fairly'do enclose
Of orient pearl a double row;
Which when her lovely laughter shows,
They look like rose buds fill'd with snow.
Yet them nor peer nor prince can buy,
Till Cherry-ripe themselves do cry.

Her eyes like angels watch them still;
Her brows like bended brows do stand,
Treat'ning with piercing frowns to kill
All that attempt with eye or hand
Those sacred cherries to come nigh,
 Till  Cherry-ripe  themselves do cry.

Sleep, Angry Beauty-Thomas Campion (1575?-1620)

Sleep angry beauty, sleep and fear not me.
For who a sleeping lion dares provoke?
 It shall suffice me here to sit and see
 Those lips shut up that never kindly spoke.
What sight can more content a lover's mind
Than beauty seeming harmless, if not kind?

My words have charm'd  her, for secure she sleeps,
Though guilty much of wrong done to my love;
And in her slumber, see, she, close-ey'd, weeps:
Dreams often more than waking passions move.
Plead, sleep, my cause, and make her soft like thee: 
That she in peace may wake and pity me.


The Little Dancers-Laurence Binyon (1869-1943)

Lonely, save for a few faint stars, the sky
Dreams; and lonely, below the little street
Into its gloom retires, secluded and shy.
Scarcely the dumb roar enters this soft retreat;
And all is dark, save where come flooding rays
From a tavern window; there, to the brisk measure
Of an organ that down in an alley merily plays,
Two children, all alone and no one by,
Holding their tattered frocks, through an airy maze
Of motion, lightly threaded with nimble feet,
Dance sedately: face to face they gaze,
Their eyes shining, grave with a perfect pleasure.